design folio

Design: The Week In Review 16/09/2014

Anna Coe - Monday, September 15, 2014

A. Aeromobil Flying Car might finally deliver the flying car dream [via TheCoolist]

B. Geometric Dichroic glass installations by Chris Wood [via ThisIsColossal]

C. The iPhone's design evolution, visualised [via Fastcodesign]

D. Friedrich Bayer Bridge by LoebCapote Arquitetura [via Contemporist]

E. Guest harbor by Visiondivision imagines boats as side houses in Sweden [via DesignBoom]

F. Chamber light by Hallgeir Homstvedt for Menu [via DailyTonic]

Corsica Holiday Home

Anna Coe - Friday, September 12, 2014

This Corsica holiday retreat slots seamlessly into its almost barren surroundings, while offering the perfect environment for a relaxed family getaway. 

The materials of worn wood and polished concrete floors make it feel like it's been there forever, and also ensure that the residence can be easily maintained. 

Via StudioArrc

Tribu tables by Michela & Paolo Baldessari for DeCastelli

Anna Coe - Friday, September 05, 2014

Architectural duo Michela and Paolo Baldessari have designed a collection of coffee tables for Italian furniture manufacturer DeCastelli. The three tables in the collection are all at various heights and composed of DeCastelli's signature materials of iron, copper, and brass. 

DeCastelli is available locally from David Shaw.

Design: The Week In Review 1/09/14

Anna Coe - Monday, September 01, 2014

A. Claire Healy + Sean Cordeiro Interweave Lego and Ikea furniture [via DesignBoom]

B. New Zealand's Waiatarua House by Hamish Monk Architecture is a Retiree's Heaven [via TheCoolist]

C. A Design Lover's Guide to the Modern Jaipur [via Tmagazine]

D. Randy Slavin paints with light to create Cobra Starship's Never Been In Love music video [via Dezeen]

E. New cut paper sculptures and illustrations by Elsa Mora [via Colossal]

F. Shape up lighting by Dylan Davis and Jean Lee [via Mocoloco]

Via Fondazza vases by Paolo Dell'Elce for Skultuna

Madeline Saxton-Beer - Monday, September 01, 2014

Basing her designs on the vessels featured in the paintings of a 20th century Italian artist Giorgio Morandi, Paolo Dell'Elce created these mirror-polished, spun brass vases for Swedish metalware company Skultuna. The name of the collection, Via Fondazza, is the street in Bologna where the artist once lived and worked. Morandi was known to undertake detailed research into the shapes and proportions he used in his oeuvres that still provide great inspiration for industrial designers today. 

Via Dezeen.

Afteroom's furniture and home accessories for Menu

Madeline Saxton-Beer - Monday, September 01, 2014

Stockholm based design agency Afteroom has conceived a bar stool, lounge chair and coat hook for Danish brand Menu's Autumn/Winter 2014 collection. The barstool is an adaptation of the agency's Afteroom chair featuring an extension of the original version's distinctive three-leg design with a steel arm that curves around to form a continuous backrest. The modernist pieces are Bauhaus-inspired to include a lounge chair with curved steel armrest and a coat hanger which is formed using an intersection of powder-coated aluminium bars with dot-shaped hooks at each end. 

Menu is available from Simon James Concept store. 

Via Dezeen.

Cuttings Crystal by Martino Gamper

Anna Coe - Thursday, August 28, 2014

Designer Martino Gamper has presented a collection of mouth-blown, hand-cut crystal glassware for new Irish crystal maker J.Hill. To achieve the designs across the pieces, Gamper worked directly with the crystal, removing layers to create three different designs. 

"This series features strong, intuitive marks confidently hewn out of the surface of lead crystal. The process of making cuts in thsi instance is less about applied decoration and closer to sculpture, hence the series name." notes J.Hill's Standard. 

Via MocoLoco

Trocadero Apartment by Francois Champsaur

Anna Coe - Wednesday, August 27, 2014

This Parisian apartment renovation is yet another exquisite project by French designer Francois Champsaur. The residents' family have owned the apartment for several generations, and the brief from the current residents was to give it a complete overhaul and make it "unrecognisable". The result is a truly spectacular layout - slim corridors and pokey areas have been removed to make way for large spaces with lots of natural light. 

Curved wooden dividers cleverly separate areas without closing them in, while also adding a sculptural aesthetic to several rooms, in particular the living area where Charlotte Perriand's lounge, and Cassina Tre Pezzi armchairs (both available herefollow this up seamlessly. 

The new dining area features banquette seating - designed by Champsaur himself (and similar to those he installed in the new Hotel Vernet) that adds pop of green amongst the black Diana dining chairs by Konstantin Grcic for Classicon (available locally from Matisse). 

Via TheCoolHunter

Slims Lamps by Studio Beam

Madeline Saxton-Beer - Tuesday, August 26, 2014

In a design project by Studio Beam that simplifies the surfaces of industrial objects in creating the novel 'slims' lamps, each lightpiece is crafted in metal by using laser cut technology and silver soldered by hand. The concept was born from the designers' desire to create an object that carried no heaviness around it, purifying "matter and feelings into a minimalist experience" with a result that allows light to disperse in every direction. 

Via Designboom.

Tarnish Tableware Collection by Daniel Schofield

Ashley Ropati - Wednesday, August 20, 2014

British designer Daniel Schofield has designed an eclectic series of brass plates, small vases and containers, fittingly entitled the 'Tarnish' collection. Each piece within the collection is rendered half treated, with the untreated half of the brass object reacting to the natural oils that secrete from the user's skin, causing the pieces to tarnish and weather gradually over time. The pieces evoke a unique point of difference and a rare aesthetic naturally acquired by each given user. Schofield designed the products this way in the hopes that the user will establish an 'emotional attachment with the pieces, giving them a value beyond their functional significance'. 

Via Dezeen