Hel Yes, a design studio by Helsinki architect Ville Hara and designer Linda Bergroth launched a greenhouse and shed kit a couple of years ago for gardeners. Substantially more aesthetically pleasing that garden sheds we're accustomed to seeing, Hel Yes designer Linda Bergroth clearly thought so too. She customised the garden shed to make a summer home for herself. By adding a wooden floor, steps made from reclaimed bricks and solar panels for lighting, the simple shed takes on an architectural approach with this transformation, enabling it to fit seamlessly in with its surroundings, whilst providing the perfect view from the inside out.

Sanlitun Road in Beijing's shopping district has another gem to add to its already decent crown. Exemplifying how quickly China is moving in the fashion stakes, Maison Martin Margiela, a designer synonymous with understated cool, has opened his largest flagship store in the bustling city. The multi-floor boutique equipped with his iconic white interior, hosts a complete range of his apparel, homewares and accessories. Equipped with a large slide, it also means shopping has never been so fun, or efficient.

(N2-18/N2-28, Village North, No.11 Sanlitun Road, Chaoyang District, Beijing).

In Germany, the Dusseldorf loft with a whopping floor area of 600 square metres, embraces the owners' passion for architecture. AABE architects' Bruno Epricum was entrusted with designing this warehouse conversion. With brick throughout, the loft is a large cavernous space that houses the owners' penchant for furniture and art. The reconversion of this loft was monitored closely due to the building's heritage; it was one of the few buildings that miraculously avoided damage during the many bombings of World War II. They explain their design below:

A vast white space devoid of any accessories houses the sleeping accommodation in the conversion; the rotating door appears to be floating in the air. An enormous living room is arranged between the pilasters that are displayed with pride. The artist’s design highlights the existing brickwork that supports the flagstone roof; here again the wear inflicted over time is openly displayed. The architecture unpretentiously magnifies the materials. The kitchen is arranged in the exterior deambulatory. The bedroom is housed in a “white box” that has been perfected with the utmost care. It is encircled by a “night patio” illuminated using zenithal light that sweeps across the surrounding brickwork. 

Charles and Ray Eames nurtured a design imagination that knew few boundaries. Between them, the design duo produced not just some, but a vast majority of the most famous design furniture pieces in the world. So it can be said that if you were to look for its center — its heart — you may well have found it in the living room of their landmark Pacific Palisades house. 

Inside its 17-foot-high ceiling, with panels of glass opening to the courtyard of eucalyptus outside, houses a vast range of objects that have been collected over a lifetime. After the Eameses died — Charles in 1978, Ray 10 years later, to this day — the room, like the house, has been left largely untouched. Magazines have been left out for reading; the fresh flowers had been changed out — the entire scene still kept tidy by a caretaker whom the Eames’ hired more than three decades ago.

That frozen-in-time tranquility of the Eames’ home has finally been shattered- albeit respectfully. Movers and conservators from the Los Angeles County Museum of Art have descended upon the Eames House and cataloged the living room's contents — 1,864 items — and transported them to the museum as an installation of a full-scale replica of the Eames living room. The room is a key component of the exhibition "California Design, 1930-1965: Living in a Modern Way.’

When the "Living in a Modern Way" exhibition closes next spring, the contents of the Eames living room will be delivered back to the house in the Palisades - but their inspiration, no doubt, will have been taken back to an entire new generation of homes. 

You can view a time-lapse video of the room being dismantled below.

Authentic Eames furniture can be found locally at Matisse.

Story by Louisa Penney

This impressive house, situated in Sao Paulo was designed and built by Fernanda Marques Arquitetos. Occupying 250 square metres, the objective to create a seamless transition between the interior and nature was met, as was the owners' idea of perfect architecture: a country home with a nod to architect Mies van der Rohe. Stone schist was used throughout along with limestone floors and a combination of glass and steel. Exterior living was equally as important to the owners, with a deck, nearly the same size as the house, surrounding the interior. Inside, the furnishings have a mid-century/ modernist appeal, with furniture pieces from many of the greats including Oscar Niemeyer's Lounge chair. Likewise, glass objects by coveted designer Jeff Zimmerman can be found lining the bookcases. A stunning execution from the architecture right down to the soft furnishings.

For more work by this architect go here.

The Millbrook house designed by Thomas Phifer architects is situated in Millbrook, New York. Set on a 200 acre site, the house maximises its spacious position by employing discreet geometric structures that complement its idyllic countryside setting. The main structure, a cantilevered weathering-steel box, hovers elegantly above the car park, whilst elsewhere in the structure, a glass pavilion flows out seamlessly to the lawn. The living space which combines the kitchen and dining areas, is dressed with classic furniture and floor to ceiling windows. The bedrooms face east for the morning sun with their own respective bamboo gardens out to the fields beyond.

This house, which pays homage to the style of Richard Neutra sits proudly in Mexico by architects Parque Humano. The AA house, was designed as a man-made pavilion so that the owners could observe and live in close proximity to nature. The L-shaped structure of the house utilises modernism's presiding aesthetic, whilst keeping the house enormously functional. All the rooms are centered around the central living areas, and back onto an adjacent courtyard and swimming pool. Floor to ceiling glass windows flank most rooms, enabling the interior and exterior of the home to seamlessly integrate, whilst brick is utilised throughout to provide insulation in winter, and protection from the intense high summer temperatures. The soft wooden tones of the interior enable this house to feel light and airy, maximizing its spacious interior.

Design kitch at its very best. Auto-Wed, the rather unique take on the gumball machine concept is probably most suited for the lobby of a Vegas hotel. The coin-operated wedding machine is an idea coined by British designers Concept Shed. Once you insert your money, it plays a specially composed intro version of the wedding march and asks you to select your union type from one of four options. The bespoke ‘Auto-Wed’ machine then asks asks if you take each other as lawful wedded partners and to press one for ‘I do’ or press two to ‘Escape’. It then takes you through the rest of your ceremony and vends two plastic eggs with rings in and prints out your personalised wedding receipt from a thermal printer. It finishes by offering you a 10% discount for AutoDivorce with your receipt.

The team at Concept Shed say that despite how cruel and mechanised it sounds (the machine has about the same emotional feeling as a parking meter) that somehow putting in your $1, getting a pair of plastic rings and a personalised wedding receipt still feels special when you share it with the one you love. The future of matrimonial celebrations? We certainly hope not.

The newly launched Shanghai’s Museum of Glass, has opened to help Shanghai relaunch as a cultural and creative centre, having opened 100 museums in a decade. German architectural firm Logon (based in Shanghai) handled the architecture of the museum, whilst Coordination Asia was in charge of the overall concept. The Museum has been created within a former glassmaking workshop with black lacquered glass used for the interior whilst the existing structure has been left untouched. The interior’s black glass reflects the LED lights and screens positioned throughout the museum. This effect emphasizes the transition glass has taken throughout time. Various medias have been used in an effort to create an interactive and participatory museum where the story of the glass is the main attraction.

For more information go here.

Story by Sarah McKenzie

Who better to revamp the existing La Maison Champs Elysees hotel than design house Maison Martin Margiela. With two historic buildings making up the one hotel, it's a hotel of material juxtapositions. Margiela plays with light and dark, with some suites embracing tranquil white, and others, settling on a moody black colour scheme. The hotel explain that their aim was for 'Maison Martin Margiela [to create] a theatrical environment where reality and trompe-l'oeil blend into a surreal atmosphere.' Equipped with 17 guest suites, a restaurant, a smoking bar, and reception area, we're guessing this will be on the hit list for fashionistas and design enthusiasts alike.

Visit their site for more information.